{"id":32913,"date":"2025-02-07T17:52:16","date_gmt":"2025-02-07T16:52:16","guid":{"rendered":"https:\/\/filharmoniapoznanska.pl\/?p=32913"},"modified":"2025-02-13T14:55:08","modified_gmt":"2025-02-13T13:55:08","slug":"records-reminiscences","status":"publish","type":"post","link":"https:\/\/filharmoniapoznanska.pl\/en\/records-reminiscences\/","title":{"rendered":"RECORDS: REMINISCENCES"},"content":{"rendered":"

“Record-wise”, 2024 was a very productive year for Pozna\u0144 Philharmonic Orchestra: music market saw the ensemble release as many as five albums, two of which were additionally pressed in vinyl versions.<\/strong><\/p>\n

The album to have attracted most attention was “Urlicht. Songs of Death and Resurrection\u201d, which in January 2025 was honoured with one of the most prestigious music prizes in the world, the International Classical Music Award (ICMA 2025). It was the second time Pozna\u0144 Philharmonic Orchestra garnered the great trophy: in 2018, the album Quo vadis<\/em> by Feliks Nowowiejski was also recognised with an ICMA. Furthermore, one also has to mention the several nominations held by the ensemble. Conducted by \u0141ukasz Borowicz, Pozna\u0144 Philharmonic Orchestra recorded “Urlicht\u201d with Samuel Hasselhorn (baritone) and the boys’ voices of The Pozna\u0144 Nightingales<\/em>, the Boys and Men’s Choir of Pozna\u0144 Philharmonic. The album was published by the record company Harmonia Mundi.<\/p>\n

Released in two versions, as CD and limited-edition collector LP, “Symphony in F Major, Op. 14 Polonia<\/em>” by Emil M\u0142ynarski (Pozna\u0144 Philharmonic Orchestra, \u0141ukasz Borowicz \u2013 conductor) was published by DUX. As \u0141ukasz Borowicz writes in the album booklet, the recording was inspired by a desire to promote one of the most interesting symphonies of its time, an apex achievement (side by side with Karol Szymanowski’s Symphony No. 2) of the post-Romantic vein in Polish music, and, simultaneously, one to <\/em>complement the picture of the early-20th century Polish symphonic music<\/em>. <\/em>The concert recording and publication of Polonia<\/em> was made with financial assistance from Culture Promotion Fund, a state earmarked fund of the Minister of Culture and National Heritage, under \u201cMusical Trace\u201d programme operated by the National Institute for Music and Dance.<\/p>\n

For many years Pozna\u0144 Philharmonic has been promoting works by Franz Xaver Scharwenka, the composer born to a Polish-German family in Szamotu\u0142y. Not only are his pieces performed at philharmonic concerts, but also find their way to records. The newest, “Franz Xaver Scharwenka, Piano Concerto No. 1 in B-flat Minor, Op. 32; Symphony in C Minor, Op. 60” (Jonathan Powell \u2013 piano, \u0141ukasz Borowicz \u2013 conductor, Pozna\u0144 Philharmonic Orchestra) was published by cpo, just months before the centenary of the composer’s death, which was marked on 8 December 2024. The album cover features reproduction of Wojciech Weiss’ painting Poca\u0142unek na trawie, <\/em>or Kiss on the Grass,<\/em> from the collection of the National Museum in Pozna\u0144, which kindly made it available to Pozna\u0144 Philharmonic.<\/p>\n

Kompozycja abstrakcyjna,<\/em> or Abstract Composition,<\/em> by another Polish painter, W\u0142adys\u0142aw Strzemi\u0144ski, which has kindly been shared with us by the Museum of Art in \u0141\u00f3d\u017a, decorates the cover of the CD and LP of Andrzej Panufnik’s works. Published by RecArt, the concert recording “Andrzej Panufnik, Nocturne \/ Fantasia” (Clare Hammond \u2013 piano, \u0141ukasz Borowicz \u2013 conductor, Pozna\u0144 Philharmonic Orchestra) contains the Polish premiere performance of the latter piece.<\/p>\n

Recorded at the 28th Ludwig van Beethoven Easter Festival, the concert album “Darius Milhaud, Salade, Op. 83 \/ Le pauvre matelot, Op. 92” (Magdalena Lucjan \u2013 soprano, Natalia Rubi\u015b \u2013 soprano, Krystian Krzeszowiak \u2013 tenor, Krzysztof Lachman \u2013 tenor, Mateusz Zajdel \u2013 tenor, Robert Gierlach \u2013 baritone, Adrian Janus \u2013 baritone, Wojciech Gierlach \u2013 bass, \u0141ukasz Borowicz \u2013 conductor, Pozna\u0144 Philharmonic Orchestra) was the last release of 2024. Developed in collaboration with Stowarzyszenie im. Ludwiga van Beethovena (Ludwig van Beethoven Association) and published by DUX, the album contains the concert performance of yet another opera presented by Pozna\u0144 Philharmonic Orchestra under \u0141ukasz Borowicz within the Ludwig van Beethoven Easter Festival’s “Nieznane opery\u201d, or “Unknown Operas” cycle.<\/p>\n","protected":false},"excerpt":{"rendered":"

“Record-wise”, 2024 was a very productive year for Pozna\u0144 Philharmonic Orchestra: music market saw the ensemble release as many as five albums, two of which were additionally pressed in vinyl versions. The album to have attracted most attention was “Urlicht. Songs of Death and Resurrection\u201d, which in January 2025 was honoured with one of the […]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[27],"tags":[],"class_list":["post-32913","post","type-post","status-publish","format-standard","hentry","category-bez-kategorii-en"],"acf":[],"yoast_head":"\nFilharmonia Pozna\u0144ska RECORDS: REMINISCENCES<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/filharmoniapoznanska.pl\/en\/records-reminiscences\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Filharmonia Pozna\u0144ska RECORDS: REMINISCENCES\" \/>\n<meta property=\"og:description\" content=\"“Record-wise”, 2024 was a very productive year for Pozna\u0144 Philharmonic Orchestra: music market saw the ensemble release as many as five albums, two of which were additionally pressed in vinyl versions. 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